Monday, December 12, 2005

Anime Review #002 - Last Exile

A change of scenery series at the time, and it solidifies small studio called GONZO as the front runner of use of CGI in animation. It sets up the tone for their future series, such as Samurai7 (I'll review that in near future)

Title: Last Exile (2003)
Genre: Aviation/Action/Fantasy/Drama
Studio: GONZO
US Distributor: Pioneer (Now known as Geneon)
Grade:
Video: A
Audio: B
Story: B
Dubbing (if applicable): B+
OVERALL: B+

Every time I watch GONZO’s work, I am amazed by their effort on achieving 3D CGI perfection. Even when they are far ahead of the game, they never slowed down. And this is the statement of the next level to mesmerize the viewers, and putting pressure on the other studios to catch up even harder.

Let’s talk about a bit about their history. GONZO just turned 10 years old, and for those following them closely, 3D CGI has been their hallmark. From Blue Submarine to Full Metal Panic! (the first series), they found the way to do it better than anyone on the market. Only problem with their approach was the lack of good storyline to supplement the brilliant visual. While Hellsing, and FMP! were entertaining, their manga root limited them from deviating far, and their original works, like Blue Submarine lacked the great storyline. That was then… and this is now.

When this series launched, viewers from the oversea was not aware. Without marketing blitz, the original series are often known by mouth-to-mouth. Once it became widely known among the hardcore viewers, this series quickly became the most sought anime of the season. In fact, at one point, about 7 fansub groups were competing to bring out the latest episodes as soon as possible. (and you should know that the quality is what matters, not the speed…aka “no AnimeJunkies” - AJ disbanded awhile ago)

When US distributor learned the growing popularity among the fansub viewers, Pioneer (because GONZO does not have their own distribution channel) quickly secured the rights to publish it before the series ended the run. For those who are not familiar with this area, consider this. Average time it takes for an anime series to be licensed by US distributor is about 6 to 12 months after the end of the series, assuming the series is no-brainer to be picked up or it has been prelicensed. Out of 10 animes, about 3-5 series become licensed, and we have to wait another 6 months to 2 years to see the DVD being released. For Last EXILE, it took less than 4 months to be released in US after the end of the series. Many factors contribute the length of the waiting period, such as cultural influence, translation, dubbing, etc, but this is probably the record setting mark at the time.

What would you do to stand out from the crowd? You try to differentiate from the rest. This is no exception in the anime market. Ever since Evangelion emerged, so many animes try to put endless spin and twist, with ever-so-depressing outlook in their storyline. When what was once an alternative story becomes the norm, then the norm becomes the alternative. To understand this, simply watch Gundam SEED now running in Cartoon Network every now and then. Many people praised the series for being pro-Evangelion…sigh.

This is not to say that EXILE lacks the twist. But it created a great storyline without being overdone. Great cast, heart warming story, with bit of twists to spice up the series, without traumatizing the psyche of the viewers, or asking them to do soul-searching. Later two can cause burnout (Evangelion resulted quite few suicides in Japan).

It opens up without giving much clue to the viewers. Watching two airships battling each other in imperial-age style intrigued me. Once a small airplane (called Vanship) flies through those airships, piercing through the clouds, I could not help myself but to watch more episodes, just to see what comes next.

It gets even better. Once viewers get used to the visual, the storyline sets up the pace and never let them wonder around until the end. Very likable main characters, Claus, the pilot of their Vanship who is kind and confident (and he is polar opposite of “Shinji”), and Lavie, the navigator of their Vanship who is even livelier and more level-headed (in terms of saving their neck), opens up the series by pursuing their dream to reach the greatest place any pilot can get. From there, their story slowly unravels to give bigger picture, until the very end. I will not reveal the storyline to be spoiler-free.

Introduction of the upcoming episode segment is very clever. Sometimes, it uses the script from the actual episodes, while others are free-talk, memoir, or plain grumble. Every so often, Lavie spits out her complaint on the matter, while typewriter is busy typing the title for the upcoming episodes. When she ends it with a shout, Presto! The typewriter rings and the title shows up. It is very funny segment.

The sound does not stand out. It does its job by being well-blended in the series to set the mood perfectly. Only when I accidentally mute the sound, I realized that there was sound in the series. Cowboy Bebop was never shy of letting individual tracks being known to the viewers, while this is the opposite. Quiet symphonic style is very similar to series such as Shingetsutan Tsukihime, Someday’s Dreamers, and Witch Hunter Robin.

Overall, this is one of few series that will be known to the viewers for many years. In the age where anime is overcrowded, and often forgotten shortly afterward, this will be forever remembered for the visual greatness, and one of the best series for the fans.

Thursday, December 08, 2005

Whoa... It's been a long time, eh?

Yeah well, I got frustrated by lack of correct uploading over the last post, and I put this aside for awhile... That is until my friend "A Pair of Pants" reminded me that she found my blog.
Too many events has happened, so I'll add them gradually. Meanwhile, let me make a quick note on what I am up to: (Status Report Time!)

School:
Final Exams are here... ugh.

Well-being:
WFWN

Job:
Found a part-time job back in May, and have been working ever since.

Scanlation:
Editing unnamed series for Solaris-SVU.
Nothing much to scan, perhaps Salad Days in near future.

Reading:
Book: Wicked (Fiction/Fantasy/Drama)
Manga: Glass Mask (Shoujo/Classic/Drama/Romance/School)
Ai Yori Aoshi (Seinen/Romance/Drama/Ecchi)
Sakura Taisen (Shonen/Historical/Action/Drama/Mecha)
Yokohama Kaidashi Kikou (Seinen/Fantasy/Drama)

Watching:
Anything from Discovery Channel (Pretty much)
Anime: Mai-Otome (Shonen/Action/Fantasy)
Aria (Seinen/Fantasy/Drama)
Ichigo Mashimaro (Shonen/Comedy/School)
Games:
None at the moment

I sure wouldn't mind someone to skip next week and send me straight to Christmas Day...

Wednesday, February 02, 2005

Anime Review #001 - The Big O (Season 1)

There is a good reason why I decided to use 1K numbering. I've watched around 150 series and barring shortchange in my life expectancy, I could write close to 1,000 reviews before I quit for good. Also, please understand that I don't have particular order in terms of review, I just write something I watched recently. I will wait until the end of the series before I write, since it is well... review.

Title: Big O (1999)
Genre: Mecha/Action/Mystery
Studio: Sunrise
US Distributor: Bandai
Grade:
Video: B-
Audio: C+
Story: B
Dubbing (if Applicable): A+
OVERALL: B (Solid)

When I first saw an advertisement for this one back in 2000, I was thinking, "bleah... another crappy mecha stuff?" Being an anti-mecha viewer, Big O felt shorter stick of the new line up in CN's Adult Swim block (which included Outlaw Star).
After giving a try in few years later, I could see why CN insisted on funding the sequel. As you know, the Season 2 never made to the viewers in Japan due to dismal rating. The creator as well as major casts were all there, just that Big O felt too western for many anime viewers to like it.
It runs something like this. "A negotiator handles his daily duty in this dark city where everyone lost their memories 40 years ago. No one knows how, or why. All they can do for now is to live."
Of course, the lost memory is the underlying foundation which will eventually lead the series to the conclusion. I won't tell you about the ending to spoil the fun.
The visual style is very edge, not unlike the Batman animation series back in early '90s. The creator of the series admitted that he wanted to emulate the feeling of the Batman. Darkness is there, and so is the intriguing story. Only difference is that instead of heroic custume, our main character dons absurdly huge robot to do the good deeds.
For those who are expecting Gundam like mecha battle, you will be sorely disappointed, as mecha is just a part of the series, but not the driving force. To put it simply, this series dodges the shortfall of "battling for the sake of battle". Very smart move, if you ask me.
This is one of few series that are better with dubbing. I tried to watch the sub, but it left me with mixed feeling. Roger doesn't sound masculine enough, nor is Dorothy sounding mechanical enough.
Few years has passed since this series came out, and video suffers big. This series was clearly Sunrise's B-rated offering at the time. But if you can overlook its age and throw out the conventional mecha-driven story out the window, I think you will throughly enojoy it.

New year, and more school work... Ugh.

Where did January go?
Before I knew it, it is already February... and my first midterm is just few days away.
So far, it has been same old in my life, with some minor exception. As you know, I'm still busy hunting for new manga (the one in Japanese text, mind you), as well as agonizing over frequent turnover of the bookstore I used to visit. Perhaps I'm bringing a share of curse with me to them. ^^;;
The life knows how to throw an expensive curveball. Valentine's Day is near by, and so is the midterm. All I could think of is to get a dozen of roses or so, but knowing this evil city, it might be out of my reach... sigh. Job hunting hasn't gone so well, so my budget is as tight as ever.
Enough chattering, I think I'll save some thoughts for later.